Soundscapes from the Americas: Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance (SOAS Musicology Series)

by Donna A. Buchanan

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Dedicated to the late Gerard Béhague (1937-2005), whose pioneering work in Latin American music, popular culture, and performance studies contributed extensively to ethnomusicological discourse in the 1970s-1990s, this anthology offers comparative perspectives on the evolving legacy of performance ethnography in socio-musical analysis. President of the Society for Ethnomusicology from 1979-81, editor of its journal, Ethnomusicology, from 1974-78, and founder and editor of the trilingual Latin American Music Review from 1980 until his death, Béhague also established the ethnomusicology graduate program at the University of Texas at Austin in 1974, thereby influencing the training and thinking of dozens of the field’s practitioners. Among these are the volume’s eight authors, whose contributions reflect the heritage but also contemporary trajectories of Béhague’s scholarly concerns. Prefaced by an essay outlining key developments in the ethnography of performance paradigm, the volume’s seven case studies portray snapshots of musical life in representative communities of the Americas, including the southwestern and Pacific United States, Puerto Rico, Bolivia, Chile, Cuba, and Ecuador. Situated in milieus ranging from the indigenous festivals of the Andean highlands, to the competitive public gatherings of poet-singers in post-Pinochet Chile, to the Puerto Rican dance halls of the Hawaiian islands, these studies pose anthropological inquiries into the ontology of performance practice, the social power of poetic performativity, and the experience and embodiment of sound in place.



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price: $49.95
bound: 210 pages
publisher: Routledge; 1 edition (April 29, 2017)
lang: English
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isbn: 1138062545, 978-1138062542,
weight: 1.1 pounds (
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Soundscapes from the Americas: Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance (SOAS Musicology Series) Donna A. Buchanan
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Soundscapes from the Americas: Ethnomusicological Essays on the Power, Poetics, and Ontology of Performance (SOAS Musicology Series)
Stay up to date Keep up with your field with Personalized Recommendations and Follow Journals to get automatic updatesSOAS Musicology Series Save Article to Read Later Save this article to read later*Terms and Conditions apply Disclaimer: All product data on this page belongs to Presented in editor Donna buchanan's introduction as a sort of portrait of a "Texas school of ethnomusicology," American Music University of Illinois Press American Music Summer 2016 2016 by the Board of Trustees of the University of IllinoisBOOK REVIEWSSoundscapes from the Americas: Ethnomusicological Essays on the Power, Poet-ics, and Ontology of PerformanceSearch Welcome to DeepDyve Instant access to the journals you need! Follow DeepDyve About Facebook Twitter Blog Products & Services Rent Journal Articles Explore Research Topics Top 10 Articles (2016) Research on Demand Popular Topics 5 Reductase Inhibitors Regenerative Medicine Info Group Plans Publishers Contact Us FAQ Help 2017 DeepDyve, IncIt has ambitions beyond matters geographic, howeverHe founded the graduate program in ethnomusicology at the University of Texas at Austin, long regarded as a preeminent center for Latin American scholarship, as well as the journal Latin American Music Review, a benchmark venue for publication on the topicAs musics representative within this scholarly community, Bhague brought its ideas to bear within his own eld, decentering scores or notated traces in favor of extramusical dynamics, including the impact of sonic behavior on the society within which performances are planned and executedunsurprisingly, each essay in the present collection, save the introduction, gives a case study of a local music scene within the Western Hemisphere, and all but one feature latin American soundsExplore the DeepDyve Library Search or browse the journals available Unlimited reading Read as many articles as you needby Donna AIndeed, while Buchanan specifies that Texas style ethnomusicologists take performance to name a marked mode of behavior that is reflexively acknowledged as [End Page 263] suchas enacted intentthe terms definition remains capacious enough to have prefigured and facilitated music studies later embrace of the performativity studies widely associated with Judith Butler, wherein an acting is a doing, and enactments both express and persuade (1314)Part Two (Performing Practice: Style and the Politics of Subjectivity) turns to a discussion of individual performance and performers, and in particular of the ways in which performance can simultaneously model, reinforce, and transform broader social norms and patternsPresented in editor Donna Buchanans introduction as a sort of portrait of a Texas school of ethnomusicology, the volume illustrates the unique methodological, theoretical, and political concerns that shaped Bhagues workIndeed, while Buchanan species that Texas style ethnomusicologists take perfor-mance to name a marked mode of behavior that is reexively acknowledged as AM 342 text.indd 263 8/3/16 10:51 AM Loading next pageAs musics representative within this scholarly community, Bhague brought its ideas to bear within his own field, decentering scores or notated traces in favor of extramusical dynamics, including the impact of sonic behavior on the society within which performances are planned and executedUnsurprisingly, each essay in the present collection, save the introduction, gives a case study of a local music scene within the Western Hemisphere, and all but one feature Latin American sounds 2ffeafca65

The Hardcover of the Soundscapes from the Americas: Ethnomusicological Essays on . by Donna A. Buchanan at. . Soundscapes from the Americas: Ethnomusicological .Performing Democracy by Donna A. Buchanan, 9780226078267, available at Book Depository with free delivery worldwide.Donna A Buchanan, University of Illinois at Urbana-Champaign, Musicology Department, Faculty Member. Studies Musicology.
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